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Bargello Bulit in 1255 as the headquarters of the Capitano del Popolo (Captain of the People) and later of the Podestà, the palace became, in the sixteenth century, the residence of the Bargello that is of the head of the police (from which the palace takes its name) and was used as prison during the whole 18th century. The building's use as National Museum began in the mid-19th century. Today it is the setting for works of sculpture. The expansive collection includes some of the greatest masterpieces of Renaissance art. Early RenaissanceSacrifice of Isaac 1401-1402 Brunelleschi Sacrifice of Isaac 1401-1402 Ghiberti St. George 1415-1417 Donatello David 1430-1432 Donatello David 1465(c) Verrocchio Hercules and Antaeus 1475(c) Pollaiuolo High Renaissance Bacchus 1496 Michelangelo Mannerism Mercury 1585(c) Giambologna |
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![]() Bargello ![]() Mercury |
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Accademia The Slaves or Captives 1501-1504 Michelangelo David 1530-1534 Michelangelo
Museo
del Duomo Renaissance St. John the Evangelist 1412-1415 Donatello IL Zuccone 1423-1425 Donatello Mary Magdalene 1454-1455(c) Donatello Cantoria 1433-1440 Donatello Cantoria 1432-1438 Luca della Robbia Descent from the Cross 1550-1555(c) Michelangelo |
Pitti Palace Palace designed by Brunelleschi, begun by Fancelli in 1458, completed by others. Agnolo Doni & Maddalena Doni 1506(c) Raphael Renaissance La Velata 1415 Raphael Renaissance Madonna of the Chair 1516(c) Raphael Renaissance Portrait of a Woman 1536(c) Titian Renaissance Mary Magdalene 1540(c) Titian Renaissance Judith and Maidservant 1610(c) A. Gentileschi Baroque |
Santa Maria del Carmine |
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Brancacci Chapel The original structure was built in 1268, but all was destroyed by the fire of 1771 save the Brancacci Chapel and the Corsini Chapel.Felice Brancacci was the patron of the chapel from 1422 till 1436. He was a rich and powerful man and he commissioned the fresco decoration of the chapel in 1423 shortly after he returned from Cairo where he had been sent as Florentine Ambassador. It is assumed that work on the frescoes began in 1424, at a time when Masaccio and Masolino were working together, and that it continued until 1427 or 1428, when Masaccio set off for Rome, leaving the fresco cycle unfinished. Originally the chapel was cross-vaulted and lit by a very tall and narrow two-light window; the last of the stories from the life of St Peter, his Crucifixion, was probably painted on the wall below the window, but this fresco was destroyed soon after Brancacci was declared a rebel so as to cancel all traces of a patron who had become politically embarassing. The chapel, formerly the chapel of St Peter, was reconsacrated to the Madonna del Popolo. It appears that Felice Brancacci was subjected to an operation of "damnatio memoriae", for all the portrayals of people connected to the Brancacci family were eliminated from Masaccio's fresco of the Raising of the Son of Theophilus. The scene was then restored in 1481-82 by Filippino Lippi, who also completed the cycle. ~excerpted from: www.kfki.hu/~arthp/tours/brancacc/Expulsion from the Garden 1427(c) Masaccio Renaissance St. Peter Healing with Shadow 1427(c) Masaccio Renaissance
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Uffizi Gallery Room 2 - Giotto and 13th Century Painting Room
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Cimabue Santa Trinita Madonna |
Giotto Ognissanti Madonna |
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International Gothic
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Gentile da Fabriano, Adoration of the Magi 1423 |
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Early
Italian Renaissance
St. Lucy Altarpiece 1455(c) Veneziano Battle of San Romano 1455(c) Paolo Ucello Madonna and Child with Angels 1455(c) Fra Filippo Lippi Duke and Duchess of Urbino 1465(c) Piero della Francesca Madonna and Child with Angels 1455(c) Fra Filippo Lippi |
1455(c) Paolo Ucello |
Leonardo da Vinci Room
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Madonna with Child and Saints |
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Sandro Botticelli Room
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Detail of Botticelli's Primavera |
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Italian Mannerism Madonna with the Long Neck 1535(c) Parmigianino Eleanor of Toledo with Son 1550(c) Bronzino
Northern Renaissance Entombment 1450(c) Van der Wyden Flemish Portinari Altarpiece 1620(c) van der Goes Flemish
Italian Baroque Bacchus 1596 Caravaggio Judith Slaying Holofernes 1620(c) Artemesia Gentileschi |
High Italian Renaissance Doni Tondo (Holy Family) 1503(c) Michelangelo Madonna of the Goldfinch 1506-1507 Raphael Madonna of the Harpies 1517 Andrea del Sarto Venus of Urbino 1538 Titian High Italian Renaissance Doni Tondo (Holy Family) 1503(c) Michelangelo Madonna of the Goldfinch 1506-1507 Raphael Madonna of the Harpies 1517 Andrea del Sarto Venus of Urbino 1538 Titian |
Doni Tondo (Holy Family) 1503 (c) Michelangelo |
Donatello master of sculpture in both marble and bronze, one of the greatest of all Italian Renaissance artists. |
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Early Works
Mature/Late Works |
![]() Judith and Holofernes |
David (detail) |
David (marble) | Annunciation | David | Cantoria |
Gatamellata |