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Volume 1, Number 1 (Winter 1971)

·         Wagner, Linda. “Faulkner’s Fiction: Studies in Organic Form”

·         Jaarsma, Richard. “Biography as Tragedy: Fictive Skill in Oliver Goldsmith’s The Life of Richard Nash, Esq.

·         Grabar, Terry. “The English Dialogue of Waverley

·         Matonis, Ann. “Gawain and the Green Knight: Flux and the Fayntyse of the Flesche”

·         McDowell, Margaret. “Edith Wharton’s ‘After Holbein’: ‘A Paradigm of the Human Condition’“

·         Ditsky, John. “Music from a Dark Cave: Organic Form in Steinbeck’s Fiction”

Volume 1, Number 2 (Spring 1971)

·         Vickery, John. “The Dilemmas of Language: Sartre’s La Nausee and Iris Murdoch’s Under the Net

·         Levant, Howard. “John Steinbeck’s The Red Pony: A Study in Narrative Technique”

·         Johnston, Kenneth. “Hemingway and Mantegna: The Bitter Nail Holes”

·         Kishler, Thomas. “Fielding’s Experiments with Fiction in The Champion

·         Thomas, William. “The Author’s Voice in The Ambassadors

·         Clever, Glenn. “The Narrative Effectiveness of Pope’s The Rape of the Lock and The Dunciad

Volume 1, Number 3 (Fall 1971)

·         Sands, Donald. “Reynard the Fox as P’caro and Reinaerts Historie as Picaresque Fiction”

·         Carlisle, Janice. Dombey and Son: The Reader and the Present Tense”

·         Sullivan, Ruth. “The Narrator in ‘A Rose for Emily’“

·         Jacobson, Sibyl. “The Narrative Framing of History: A Discussion of Old Mortality”

·         Kropf, C.R. “The Relapse and the Sentimental Mask”

·         Arthur, R. Anthony. “Authorial Intrusion as Art in The Last Chronicle of Barset

Volume 2, Number 1 (Winter 1972)

·         MacDonald, Scott. “Implications of Narrative Perspective in Hemingway’s ‘The Undefeated’“

·         Martineau, Barbara. “Portraits Are Murdered in the Short Fiction of Henry James”

·         Deneau, Daniel. “Joyce’s ‘Minute’ Maria”

·         Segal, Elizabeth. “Truth and Authenticity in Thackeray”

·         Fadiman, Regina. “The Poet as Choreographer: Lawrence’s ‘The Blind Man’“

·         Solomon, Stanley. “Ironic Perspective in Maria Edgeworth’s Castle Rackrent

Volume 2, Number 2 (Spring 1972)

·         Shippey, Thomas and Michael Short. “Framing and Distancing in Kipling’s ‘The Man Who Would Be King’“

·         Wagner, Linda. “The Sun Also Rises: One Debt To Imagism”

·         Bonney, William. “Joseph Conrad and the Discontinuous Point of View”

·         Roby, Kinley. “Irony and the Narrative Voice in Howard’s End

·         Miller, David. “Authorial Point of View in Virginia Woolf’s Mrs. Dalloway

·         Anderson, Judith. “‘Come, let’s away to prison’: Fortune and Freedom in The Faerie Queene, Book VI”

Volume 2, Number 3 (Fall 1972)

·         Geherin, David. An Interview with Christopher Isherwood

·         Smith, Anne. “The Martyrdom of Stephen in Hard Times

·         Tintner, Adeline. “Hyacinth at the Play: the Play within the Play as a Novelistic Device in James”

·         Hoff, Peter. “The Voices of Crotchet Castle”

·         Meckier, Jerome. “Suspense in The Old Curiosity Shop: Dickens’ Contrapuntal Artistry”

·         Carruthers, Mary. “Letter and Gloss in the Friar’s and Summoner’s Tales”

Volume 3, Number 1 (Winter 1973)

·         Griffith, John. “Narrative Technique and the Meaning of History in Benet and MacLeish”

·         Peck, H. Daniel. “Robinson Crusoe: The Moral Geography of Limitation”

·         LeClair, Thomas. “The Unreliability of Innocence: John Hawkes’ Second Skin

·         Banerjee, Chinmoy. Hero and Leander as Erotic Comedy”

·         Jacobson, Sibyl. “The Paradox of Fulfillment: A Discussion of Women in Love

·         Klotman, Phyllis. “Jesse B. Semple and the Narrative Art of Langston Hughes”

Volume 3, Number 2 (Spring 1972)

·         Adam, Ian. “Lawrence’s Anti-Symbol: The Ending of The Rainbow

·         DeNeef, A. Leigh. “Chaucer’s Pardoner’s Tale and the Irony of Misinterpretation”

·         Newton, K.M. “The Role of the Narrator in George Eliot’s Novels”

·         Kaplan, Fred. “Victorian Modernists: Fowles and Nabokov”

·         Davidson, Arnold. “The Dantean Perspective in Hemingway’s A Farewell to Arms

·         Pickering, Samuel Jr. “Trollope’s Poetics and Authorial Intrusion in The Warden and Barchester Towers

·         Yarina, Margaret. “The Dualistic Vision of Herman Melville’s ‘The Encantadas’“

Volume 3, Number 3 (Fall 1973)

·         Sutherland, J.A. “The Expanding Narrative of Vanity Fair

·         Lilly, Paul Jr. “Caddy and Addie: Speakers of Faulkner’s Impeccable Language”

·         Higdon, David. “Failure of Design in The Mill on the Floss

·         Rankin, Elizabeth. “Cryptic Coloration in The French Lieutenant’s Woman

·         Armistead, J.M. “The Narrator as Rhetorician in Dryden’s The Hind and the Panther

Volume 4, Number 1 (Winter 1974)

·         Harbert, Earl. “The Education of Henry Adams: The Confessional Mode as Heuristic Experiment”

·         Schwarz, Daniel. “Art and Argument in Disraeli’s Sybil

·         Stone, C.F. “Narrative Variation in Wordsworth’s Versions of ‘The Discharged Soldier’“

·         Kligerman, Jack. “Style and Form in James Fenimore Cooper’s Homeward Bound and Home as Found

·         Wicker, Brian. “Samuel Beckett and the Death of the God-Narrator”

·         Marler, Robert Jr. “‘A Dream’: Howells’ Early Contribution to the American Short Story”

Volume 4, Number 2 (Spring 1974)

·         Ruthrof H.G. “Aspects of a Phenomenological View of Narrative”

·         Maynard, John. “Perspectives on Change: Narrative Technique in Spenser’s Cantos of Mutabilitie”

·         Scheer, Thomas. “Mythopoeia and the Renaissance Mind: A Reading of ‘A Grammarian’s Funeral’“

·         Holt, Carolyn. “Sir Austin and his Scrip: A New Approach to The Ordeal of Richard Feveral

·         Vopat, James. “Narrative Technique in Tom Jones: The Balance of Art and Nature”

·         Wagner, Linda. “A Note on Oedipa the Roadrunner”

Volume 4, Number 3 (Fall 1974)

·         Hotchkiss, Joyce. “Romance and Reality: The Dualistic Style of E. M. Forster’s Maurice

·         Gracie, William. “Truth of Form in Edmund Gosse’s Father and Son

·         Bolling, Douglas. “Intellectual and Aesthetic Dimensions of Mr. Sammler’s Planet

·         Joyner, Nancy. “The Underside of the Butterfly: Lessing’s Debt to Woolf”

·         Doody, Terrence. “Hemingway’s Style and Jake’s Narration”

·         Sherbo, Arthur. “A Postscript to Studies in the Eighteenth-Century English Novel”

Volume 5, Number 1 (Winter 1975)

·         Shawcross, John. Paradise Lost and ‘Novelistic’ Technique”

·         Wilhelm, Albert. “The Dramatized Narrator in Wordsworth’s The Idiot Boy

·         Bonney, William. “Narrative Perspective in Victory: the Thematic Relevance”

·         Adair, William. A Farewell to Arms: A Dream Book”

·         Fetrow, Fred. “The Function of the External Narrator in Thomas Berger’s Little Big Man

·         Wegs, Joyce. “‘Don’t you know who I am?’: The Grotesque in Oates’s ‘Where Are You Going, Where Have You Been?’“

Volume 5, Number 2 (Spring 1975)

·         Jambeck, Thomas. “Characterization and Syntax in the Miller’s Tale”

·         Collins, Billy. “Huckleberry Finn: A Mississippi Moses”

·         Davis, Cynthia. “‘The Key to the Treasure’: Narrative Movements and Effects in Chimera”

·         Tintner, Adeline. “Iconic Analogy in ‘The Lesson of the Master’: Henry James’s Legend of Saint George and the Dragon”

·         Stuckey, W.J. “‘The Killers’ as Experience”

·         Grudin, Peter. “The Monk: Matilda and the Rhetoric of Deceit”

Volume 5, Number 3 (Fall 1975)

·         Hansen, Elaine. “Ambiguity and the Narrator in The Scarlet Letter

·         Estrin, Mark. “Narrative Ambivalence in Hawthorne’s ‘Feathertop’“

·         Porter, Roger. “Edmund Gosse’s Father and Son: Between Form and Flexibilty”

·         Priestman, Donald. “Superstition and Imagination: Complementary Faculties of Wordsworth’s Narrator in ‘The Thorn’“

·         Smitten, Jeffrey. “Spatial Form as Narrative Technique in A Sentimental Journey

·         Vauthier, Simone. “Title as Microtext: The Example of The Moviegoer

Volume 6, Number 1 (Winter 1976)

·         Winslow, Joan. “Esther Summerson: The Betrayal of the Imagination”

·         Blackall, Jean. “Point of View in Villette

·         Dibble, Jerry. “Stephen’s Esthetic and Joyce’s Art: Theory and Practice of Genre in A Portrait of the Artist as a Young Man

·         Ramsey, Roger. “Light Imagery in The Sound and the Fury: April 7, 1928”

·         Delaney, Paul. “The Dissolving Self: The Narrators of Mark Twain’s Mysterious Stranger Fragments”

·         Rose, Ellen. “The End of the Game: New Directions in Doris Lessing’s Fiction”

Volume 6, Number 2 (Spring 1976)

·         Wilt, Judith. “A Right Issue from the Tight Place: Henry James and Maria Gostrey”

·         Diehl, Joanne. “‘One Life Within Us and Abroad’: The Subverted Realist in The Sacred Fount

·         Schwarz, Daniel. “The Significance of the Language Teacher in Conrad’s Under Western Eyes

·         Linehan, Tom. “The Importance of Plot in Little Dorrit

·         Spendal, R.J. “The Structure of The Painted Bird

·         Jeffrey, David. “Smollett’s Irony in Peregrine Pickle

·         Traubitz, Nancy. “Heavenly Mother: The Trinity as Structural Device in Edmund’s Gosse’s Father and Son

Volume 6, Number 3 (Fall 1976)

·         Schleifer, Ronald. “Narrative in Yeats’s In the Seven Woods

·         Snow, Malinda. “The Origins of Defoe’s First-Person Narrative Technique: An Overlooked Aspect of the Rise of the Novel”

·         Rubin, Stan. “Spectator and Spectacle: Narrative Evasion and Narrative Voice in Pickwick Papers

·         VanDeVyvere, J.L. “The Mediatorial Voice of the Narrator in E.M. Forster’s Howard’s End

·         Sullivan, Zohreh. “Forster’s Symbolism: A Room with a View, Fourth Chapter”

·         Stuckey, W.J. “The Sun Also Rises on Its Own Ground”

Volume 7, Number 1 (Winter 1977)

·         Pickering, Samuel. “The Evolution of a Genre: Fictional Biographies for Children in the Eighteenth Century”

·         Uphaus, Suzanne. The Centaur: Updike’s Mock Epic”

·         Watson, Wallace. “‘The Shade of Old Flaubert’ and Maupassant’s ‘Art Impeccable (Prespue)’: French Influences on the

·         Development of Conrad’s Marlow”

·         Fabricant, Carole. Tristram Shandy and Moby-Dick: A Cock and Bull Story and a Tale of a Tub”

·         James, David. “Story and Substance in Lovel the Widower

Volume 7, Number 2 (Spring 1977)

·         Visser, N. W. “Temporal Vantage Point in the Novel”

·         Hardesty, William and David Mann. “Historical Reality and Fictional Daydream in Treasure Island

·         Ramsey, Roger. “Clothing Makes a Queen in The Clerk’s Tale”

·         Waters, Gregory. G. T.’s “‘Worthless Enterprise’: A Study of the Narrator in Gascoigne’s ‘The Adventures of Master F. J.’“

·         Routh, Michael. Isabel Archer’s “‘Inconsequesce’: A Motif Analysis of The Portrait of a Lady

·         Slatoff, Walter. “The ‘Great Sin’ in For Whom the Bell Tolls

·         Rabkin, Eric. “Conflation of Genres and Myths in David Lindsay’s A Voyage to Arcturus

Volume 7, Number 3 (Fall 1977)

·         Cowart, David. “Love and Death: Variations on a Theme in Pynchon’s Early Fiction”

·         Lennon, J. Michael. “Mailer’s Radical Bridge”

·         Winslow, Joan. “New Light on Hawthorne’s Miles Coverdale”

·         Fast, Robin. “Getting to the Ends of Daniel Deronda

·         Taylor, S. Ortiz. “Episodic Stucture in the Picaresque Novel”

·         Ditsky, John. “F. Scott Fitzgerald and the Jacob’s Ladder”

Volume 8, Number 1 (Winter 1978)

·         French, Marilyn. “The Voices of the Sirens in Joyce’s Ulysses

·         Prendowska, Krystyna. “Jerzy Kosinski: A Literature of Contortion”

·         Dowling, Linda. “Venus and Tannhauser: Beardsley’s Satire of Decadence”

·         Westervelt, Linda. “Teller, Tale, Told: Relationships in John Barth’s Latest Fiction”

·         Jones, Lawrence. “‘Infected by a Vein of Mimeticism’: George Eliot and the Technique of Far from the Madding Crowd

Volume 8, Number 2 (Spring 1978)

·         Tintner, Adeline. “Lady into Horse: James’s ‘Lady Barberina’ and Gulliver’s Travels, Part IV”

·         Abrams, Steven. “The Blood Oranges as a Visionary Fiction”

·         Patteson, Richard. “King Solomon’s Mines: Imperialism and Narrative Structure”

·         Dupras, Joseph. “Sacramental Language for Love’s Warrant in Browning’s ‘Saul’“

·         Reynolds, Larry. “Enlightening Darkness: Theme and Structure in Eudora Welty’s Losing Battles

·         Rosowski, S.J. “Narrative Technique in Cather’s My Mortal Enemy

Volume 8, Number 3 (Fall 1978)

·         Goetz, William. “The Allegory of Representation in The Tragic Muse

·         Higgins, Joanna. “The Ambassadorial Motif in The Ambassadors

·         Bradham, Jo. “Boswell’s Narrative of Oliver Edwards”

·         Cohen, Philip. “Narrative and Persuasion in The Ruined Cottage

·         Hurt, James. “The Primal Scenes as Narrative Model in Ford’s The Good Soldier

·         Fox, Arnold. “Aesthetics of the Problem Novel in Trollope’s Phineas Finn

Volume 9, Number 1 (Winter 1979)

·         Walker, David. “Out of the Old Time: ‘Was’ and Go Down, Moses

·         Super, R. H. “Trollope’s Vanity Fair

·         Kirkley, Harriet. “Boswell’s Life of the Poet”

·         Marten, Harry. “‘The Stranger Becomes Oneself’: Visual Surfaces and Patterns in Conrad Aiken’s King Coffin

·         Wasserman, Jerry. “Mimetic Form in The Waves

Volume 9, Number 2 (Spring 1979)

·         Begnal, Michael. “Thomas Pynchon’s V.: In Defense of Benny Profane”

·         Bender, Bert. “The Nature and Significance of ‘Experience’ in ‘The Open Boat’“

·         DeGraaff, Robert. “The Trouble with Richard Feverel”

·         Orr, Leonard. “Digression and Nonsequential Interpolation: The Example of Melville”

·         Hessler, John. “Dowell and The Good Soldier: The Narrator Re- Examined”

·         Rogers, Henry III. “The Two Faces of Moll”

·         Billingsley, Dale. “‘Standard Authors’ in Huckleberry Finn

Volume 9, Number 3 (Fall 1979)

·         Mayer, Charles. “Henry James’s ‘Discriminated Occasion’: A Determinant of Form”

·         Alley, Henry. “New Year’s at the Abbey: Point of View in the Pivotal Chapters of Daniel Deronda

·         Senf, Carol. “Dracula: The Unseen Face in the Mirror”

·         Boardman, Michael. One Flew Over the Cuckoo’s Nest: Rhetoric and Vision”

·         Folks, Jeffery. “The Influence of Poetry on the Narrative Technique of Faulkner’s Early Fiction”

·         Tinsley, Molly. “Muddle et Cetera: Syntax in A Passage To India

·         Hallab, Mary. “Victims of ‘Malign Machinations’: Irving’s Christopher Columbus and Melville’s ‘Benito Cerito’“

Volume 10, Number 1 (Winter 1980)

·         Sulfridge, Cynthia. “The unfortunate Traveller: Nashe’s Narrative in a ‘Cleane Different Vaine’“

·         Manlove, C. N. “The Image of the Journey in Pilgrim’s Progress: Narrative versus Allegory”

·         Davis, Robert. “The Symbolic Father in Yaknapatawpha County

·         Osland, Dianne. “Fielding’s Amelia: Problem Child or Problem Reader?”

·         Roulston, Robert. “Traces of Tono-Bungay in The Great Gatsby

Volume 10, Number 2 (Spring 1980)

·         Kahn, John. “The Protean Narrator, and the Case of Trollope’s Barsetshire Novels”

·         Johnson, Glen. “Richardson’s ‘Editor’ in Clarissa

·         Fifer, Elizabeth. “Guardians and Witnesses: Narrative Technique in Gertrude Stein’s Useful Knowledge

·         Solberg, Sarah. “Dickens and Illustration: A Matter of Perspective”

·         Begnal, Michael. “Fiction, Biography, History: Nabokov’s The Gift

Volume 10, Number 3 (Fall 1980)

·         Scarry, Elaine. “Enemy and Father: Comic Equilibrium of Number Fourteen of Vanity Fair

·         Rodgers, Lise. “The Book and the Flower: Rationality and Sensuality in Dante Gabriel Rossetti’s Jenny

·         Roskies, D. M. “Alan Sillitoe’s Anti-Pastoral”

·         Riley, Samuel. “The Contrast between Beowulf and Hygelac”

·         Loveday, Simon. “The Style of John Fowles: Tense and Person in the First in the First Chapter of Daniel Martin

Volume 11, Number 1 (Winter 1981)

·         Harrington, John. “The Irish Landscape in Samuel Beckett’s Watt

·         Renner, Charlotte. “The Self-Multiplying Narrators of Molly, Malone Dies, and The Unnamable

·         Maclean, Robert. “Narcissus and the Voyeur: James Agee’s Let Us Now Praise Famous Men

·         Rodino, Richard. “The Matrix of Journeys in Zen and the Art of Motorcycle Maintenance

·         Schloss, Carol and Khachig Tololyan. “The Siren in the Funhouse: Barth’s Courting of the Reader”

Volume 11, Number 2 (Spring 1981)

·         Rio-Jelliffe, R. “Absalom, Absalom! as Self-Reflexive Novel”

·         Smirlock, Daniel. “The Models of Richard Feverel”

·         Fuoroli, Caryn. “Sophistry or Simple Truth? Narrative Technique in Margaret Drabble’s The Waterfall

·         Bassett, John. As I Lay Dying: Family Conflict and Verbal Fictions”

·         Seed, David. “Order in Thomas Pynchon’s ‘Entropy’“

Volume 11, Number 3 (Fall 1981)

·         Baker, Sheridan. “Narration: The Writer’s Essential Mimesis”

·         Saldivar, Ramon. “Trollope’s The Warden and Fiction of Realism”

·         Holmes, Frederick. “The Novel, Illusion, and Reality: The Paradox of Omniscience in The French Lieutenant’s Woman

·         Orr, Leonard. “Vraisemblance and Alienation Techniques: The Basis for Reflexivity in Fiction”

·         Sweeney, Gerard. “The Curious Disappearance of Mrs. Beever: The Ending of The Other House

Volume 12, Number 1 (Winter 1982)

·         Strehle, Susan. “Disclosing Time: William Gaddis’s JR

·         O’Bryan, Daniel. “Sodom and Gomorrah: The Use of the Vulgate in Cleanness”

·         Benstock, Shari and Bernard Benstock. “Narrative Sources and the Problem of Ulysses

·         Graves, Lila. “Locke’s Essay and Sterne’s ‘Work Itself’“

·         Harris, Susan. “Narrative Structure in Mark Twain’s Joan of Arc

·         Trachtenberg, Stanley. “The Way that Girl Pressed Against You on the Subway: Ronald Sukenick’s Real Act of the Imagination”

Volume 12, Number 2 (Spring 1982)

·         Pladott, Dinnah. “Faulkner’s A Fable: A Heresy or a Declaration of Faith?”

·         Hewitt, Rosalie. “A ‘Home Address for the Self’: Mary McCarthy’s Autobiographical Journey”

·         Achilles, Jochen. “Donald Barthelme’s Aesthetic of Inversion: Caligari’s Come-Back as Caligari’s Leave-Taking”

·         Hite, Molly. “‘Holy-Center-Approaching’ in the novels of Thomas Pynchon”

·         Wineapple, Brenda. “The Travesty of Literalism: Two Novels by John Hawkes”

·         Marks, Barry A. ‘The making of a Humorist: The Narrative Strategy of Huckleberry Finn

·         Ferris, Ina. “Realist Intention and Mythic Impulse in Daniel Martin

Volume 12, Number 3 (Fall 1982)

·         Friedrich, Reinhard H. “Necessary Inadequacies: Poe’s ‘Tale of the Rugged Mountains’ and Borges’ ‘South’“

·         Perlis, Alan D. “Coleridgre and Conrad: Spectral Illuminations, Widening Frames”

·         Hume, Kathryn. “Vonnegut’s Self-Projections: Symbolic Characters and Symbolic Fiction”

·         Osland, Dianne. “Tied back to Back: The Discourse Between Poet and Player and the Exhortations of Parson Adams in Joseph Adams

·         Wagner, Linda. “Save Me the Waltz: An Assessment in Craft”

·         Mulford, Carla. “Fitzgerald, Perkins and The Great Gatsby

·         Hostetler, Norman H. “Narrative Structure and Theme in ‘Young Goodman Brown’“

Volume 13, Number 1 (Winter 1983)

·         Couser, G. Thomas. “Going After Cacciato: The Romance and the Real War”

·         Hennings, Tom. “Singer’s ‘Gimpel the Fool’ and The Book of Hosea

·         Mundhenk, Rosemary. “Patterns of Irresolution in Eliot’s The Mill on the Floss

·         Erickson, Donlad H. “Bleak House and Victorian Art and Illustration: Charles Dickens’s Visual Narrative Style”

·         Stewart, David H. “Orality in Kipling’s Kim

Volume 13, Number 2 (Spring 1983)

·         Schwarz, Daniel R. “The Importance of Ian Watt’s The Rise of the Novel

·         Westervelt, Linda A. “‘The Growing Complexity of Things’: Narrative Technique in The Portrait of a Lady

·         Schell, John F. “Prose Prefaces and Romantic Poets: Insinuation and Ethos”

·         Forshay, Toby A. “Yeats’s ‘Nineteen Hundred and Nineteen’: Chronology, Chronography, and Chronic Misreading”

·         Forrest, James F. “Vision, Form, and the Imagination in the Second Part of The Pilgrim’s Progress

Volume 13, Number 3 (Fall 1983)

·         Uba, George R. “Howells and the Practical Utopia: The Allegorical Structure of the Altrurian Romances”

·         McCrea, Brian. “Politics and Narrative Technique in Fielding’s Amelia

·         Hannay, John. “Coincidence and Analytic Reduction in the “Ithaca” Episode in Ulysses

·         Ditsky, John. “‘Listening with Supersensual Ear’: Music in the Novels of Willa Cather”

·         Levin, Gerald. “The Musical Style of The Waves

·         Ireland, K.R. “Rite at the Center: Narrative Duplication in Susan Hill’s In the Springtime of the Year

Volume 14, Number 1 (Winter 1984)

·         Rubenstein, Roberta. “From Detritus to Discovery: Margaret Drabble’s The Middle Ground

·         Campbell, Jane. “Reaching Outward: Versions of Reality in The Middle Ground

·         Fowler, Douglas. “Story into Chapter: Thomas Pynchon’s Transformation of ‘Under the Rose’“

·         Butler, James Robert. “The American Quest for Pure Movement in Bellow’s Henderson the Rain King

·         Gerlach, John. “Closure in Henry James’s Short Fiction”

·         Johnston, Kenneth G. “Hemingway and Freud: The Tip of the Iceberg”

Volume 14, Number 2 (Spring 1984)

·         Orlov, Paul A. “Technique as Theme in An American Tragedy

·         Gabler, Janet A. “The Narrators’ Script: James’s Complex Narration in The Bostonians

·         Nathan, Rhoda B. “The Farce that Failed: James’s The Spoils of Poynton

·         Gaudino, Rebecca J. Kruger. “The Riddle of The Confidence Man

·         Mulderig, Gerald P. “The Rhetorical Design of Carlyle’s The Life of John Sterling

Volume 14, Number 3 (Fall 1984)

·         Pickering, Samuel, Jr. “The ‘Ambiguous Circumstances of Pamela’: Early Children’s Books and the Attitude Towards Pamela

·         Davis, R. Evans. “An Allegory of America in Melville’s Billy Budd

·         Seed, David. “Media and Newsreels in Dos Passos’ U.S.A.

·         Richard, Jeremy. “Latin Narrative Syntax in Virgil and Milton”

·         Gross, Beverly. “‘A Mind Divided Against Itself’: Madness in Zen and the Art of Motorcycle Maintenance

·         DeGraaff, Robert M. “Self-Articulating Characters in David Copperfield

Volume 15, Number 1 (Winter 1985)

·         Wagner, Linda W. “Sylvia Plath’s Specialness in Her Short Stories”

·         Wirth Nesher, Hana. “The Ethics of Narration in D.M. Thomas’s The White Hotel

·         Manning, Stephen. “The Paradox of the Narrative Styles in Chaucer’s The Clerk’s Tale”

·         Skinner, John L. “‘A Rose for Emily’: Against Interpretation”

·         Stewart, D.H. “Kipling’s Kim: Rehearsals and Echoes”

·         Tintner, Adeline R. “The Use of Stupidity as a Narrative Device: The Gullible Teller in James’s ‘Louisa Plant’“

·         Knapp, Shoshana. “The Morality of Creation: Dostoevsky and William James in LeGuin’s ‘Omelas’“

·         Richter, David H. “Covert Plot in Isak Dinesen’s ‘Sorrow Acre’“

Volume 15, Number 2 (Spring 1985)

·         Pladott, Dinnah. “William Faulkner: The Tragic Enigma”

·         Nitecki, Alicia K. “‘Fen3eit of the New’: Authority in The Testament of Cresseid

·         Gadomski, Kenneth E. “Narrative Style in King Horn and Havelock the Dane

·         Rankin, Ian. “Surface and Structure: Reading Muriel Spark’s The Driver’s Seat

·         Walker, Jeanne Murray. “Exchange Short-Circuited: The Isolated Scientist in H.G. Wells’s The Invisible Man

·         Mason, Kenneth M, Jr. “George Eliot’s Mill on the Floss: Tragic Harvest and Pastoral Deceit”

·         Reddy, Maureen T. “Gaskell’s ‘The Grey Woman’: A Feminist Palimpsest”

Volume 15, Number 3 (Fall 1985)

·         Clark-Beattie, Rosemary. Middlemarch’s Dialogic Style”

·         Scanlon, Patrick M. “Emblematic Narrative and the Argument of Love in Sidney’s New Arcadia

·         Beiderwell, Bruce. “The Coherence of Our Mutual Friend

·         Rabinowitz, Nancy Sorkin. “‘Faithful Narrator’ or ‘Partial Eulogist’: First-Person Narration in Bronte’s Villette

·         Dowling, David. A Passage to India through ‘The Spaces Between the Words’“

·         Norman, Rose. “Fugal Technique in Johnson’s Rasselas

·         Panja, Shormishta. “A Self-Reflective Parable of Narration: The Fairie Queene IV”

Volume 16, Number 1 (Winter 1986)

·         Creese, Richard. “Abstracting and Recording Narration in The Good Soldier and The End of the Affair

·         Fludernik, Monika. “Narrative and Its Development in Ulysses

·         Crawford, Iain. “Sex and Seriousness in David Copperfield

·         MacKethan, Lucinda H. “From the Fugitive Slave to Man of Letters: The Conversion of Frederick Douglas”

·         Bossche, Chris R. Vanden. “Desire and Deferral of Closure in Carlyle’s Sartor Resartus and The French Revolution

Volume 16, Number 2 (Spring 1986)

·         Bensko, John. “Reflexive Narration in Contemporary American Poetry: Some Examples from Mark Strand, John Ashberry,

·         Norman Dubie, and Louis Simpson”

·         Cobley, Evelyn. “Narrating the Facts of War: New Journalism in Herr’s Dispatches and Documentary Realsim in First World War Novels”

·         Sutton, Mark Keith. “How Listeners Shape Stories: A Model for Readers in Brown’s Fo’c’s’le Yarns”

·         Jackson, Fleda Brown. “A Sermon Without Exegesis: The Achievement of Stasis in The Rise of Silas Lapham”

·         Olsen, Lance. “A Guydebook to the Last Modernist: Davenport on Davenport and Da Vinci’s Bicycle”

Volume 16, Number 3 (Fall 1986)

·         Kuehl, John. “The Ludic Impulse in Recent American Fiction”

·         Bromberg, Pamela S. “The Development of Narrative Technique in Margaret Drabble’s Novels”

·         Garrett-Goodyear J.H. “‘The Rapture of Endless Approximation’: The Role of the Narrator in Pnin

·         Jacobs, N. M. “Gender and Layered Narrative in Wuthering Heights and The Tenant of Wildfell Hall

·         Tavormina, M. Teresa. “Dressing the Spirit: Clothworking and Language in The Color Purple

·         Mathews, Linda. “Shaping of Life of Man: Darl Bundren as Supplementary Narrator in As I Lay Dying

Volume 17, Number 1 (Winter 1987)

·         Caserio, Robert. “Story, Discourse, and Anglo-American Philosophy of Action”

·         Jonnes, Denis. “Family Pattern, Critical Method, Narrative Model”

·         Schwarz, Daniel R. “‘Tell Us Again in Plain Words’: An Introduction to Reading Joyce’s Ulysses

·         Ryals, Clyde de L. “Levity’s Rainbow: Browning’s ‘Christmas Eve’“

·         Kerrigan, Catherine. “Underground Men: Dostoevsky in the Work of Hugh MacDiarmind”

·         Berryman, Charles. “Atwood’s Narrative Quest”

·         Wegner, Gregory R. “Hawthorne’s ‘Ethan Brand’ and the Structure of the Literary Sketch”

·         Gabler-Hover, Janet A. “Sympathy Not Empathy: The Intent of Narration in Huckleberry Finn

·         Tintner, Adeline R. “The Narrative Structure of Old New York: Text and Pictures in Edith Wharton’s Quartet of Linked Stories

·         Corn, Peggy Ward. “‘Combinational Delight’: The Uses of the Story Within a Story in Pale Fire

·         Jaffe, Audrey. “Omniscience in Our Mutual Friend: On Taking the Reader by Surprise”

·         Giffone, Tony. “Putting Master Humphrey Back Together Again”

·         Stampfl, Barry. “‘As Ifs’ Against Knowing in Conrad: Two Types of Anti-Conjectural Simile”

·         Facknitz, Mark A. R. “Cryptic Allusions and the Moral of the Story: The Case of Joseph Conrad’s ‘The Secret Sharer’“

·         Skinner, John. “The Oral and the Written: Kurtz and Gatsby Revisited”

Volume 17, Number 2 (Spring 1987)

·         Blackall, Jean Frantz. “Edith Wharton’s Art of Ellipsis”

·         Lockridge, Ernest. “F. Scott Fitzgerald’s Trompe l’Oliel and The Great Gatsby’s Buried Plot”

·         Gaughan, Richard T. “Mr. Hyde and Mr. Seek: Utterson’s Antidote”

·         Magee, William H. “Instrument of Growth: The Courtship and Marriage Plot in Jane Austen’s Novels”

·         Sawicki, Joseph. “‘The Mere Truth Won’t Do’: Esther as Narrator in Bleak House

·         Jackson, Selwyn. “Distance and the Communication Model”

Volume 17, Number 3 (Fall 1987)

·         Kempton, Daniel. “Chaucer’s Knight and the Knight’s Theseus: ‘And Though That He Were Worthy, He Was Wys’“

·         Wallen, Martin. “Re-enactment and Reclamation in The Road to Xanadu

·         Kinney, Clare R. “Fragmentary Excess, Copious Dearth: The Wasteland as Anti-Narrative”

·         Howard, Susan K. “The Intrusive Audience in Fielding’s Amelia

·         Sylvia, Richard A. “‘Parabolic Drift’ as Narrative Method in Tennyson’s Idylls: A New Reading of ‘The Holy Grail’“

·         Cyr, Marc D. “The Archangel Raphael: Narrative Authority in Milton’s War in Heaven”

Volume 18, Number 1 (Winter 1988)

·         Schwarz, Daniel. “Humanistic Formalism: A Theoretical Defense”

·         Maxwell, Joan. “Delighting in a Bite: James’s Seduction of His Readers in The Bostonians

·         Zahlan, Anne Ricketson. “City as Carnival, Narrative as Palimpsest: Lawrence Durrell’s The Alexandia Quartet

·         Carrard, Phillipe. “Telling the Game: Baseball as an AP Report”

·         Daleski, H. M. “Imagining Revolution: The Eye of History and of Fiction”

·         Ferris, Ina. “The Historical Novel and the Problem of Beginning: The Model of Scott”

Volume 18, Number 2 (Spring 1988)

·         Egan, Susanna. “Breytenbach’s Mouroir: The Novel as Autobiography”

·         Gordon, David J. “Character and Self in Autobiography”

·         Aercke, Kristiaan P. “Theatrical Background in English Novels of the Seventeenth Century”

·         Linkin, Harriet Kramer. “ Narrative Technique in ‘And Occurrence at owl Creek Bridge’“

·         Jones, Deborah L. “Hawthorne’s Post-Platonic Paradise: The Inversion of Allegory in Rappaccini’s Daughter

·         Lockridge, Ernest. “Faithful in Her Fashion: Catherine Barkley, the Invisible Hemingway Heroine”

Volume 18, Number 3 (Fall 1988)

·         Pickrel, Paul. “Flat and Round Characters Reconsidered”

·         Barzilai, Shuli. “Virginia Woolf’s Pursuit Truth: ‘Monday or Tuesday,’ ‘Moments of Being’ and ‘The Lady in the Looking Glass’“

·         Waterhouse, Ruth. “Self-Reflexivity and ‘Wraetlic word’ in Bleak House and Andreas

·         Bock, Carol A. “Storytelling and the Multiple Audiences of Shirley

·         Sherman, Joseph. “Author Versus Narrator in The Penitent: Reconsidering Isaac Bashevis Singer’s ‘Tirade’“

·         Bohheim, Helmut. “Narrative Technique in Emily Dickinson’s ‘My life had stood a loaded gun’“

·         Citron, Jo Ann. “Running the Basepaths: Baseball and Jane Austen”

Volume 19, Number 1 (Winter 1989)

·         Cohn, Dorritt. “Fictional versus Historical Lives: Borderlines and Borderline Cases”

·         Edwards, Lee. “Schizophrenic Narrative”

·         Chambers, Ross. “Narrative and Other Triangles”

·         Rader, Ralph. “A Comparative Anatomy of Three Baggy Monsters”

·         Phelan, James. “Reading for the Character and Reading for the Progression: John Wemmick and Great Expectations”

·         Schwarz, Daniel. “Character and Characterization: An Inquiry”

·         Richter, David. “Murder in Jest: Serial Killing in the Post-Modern Detective Story”

·         Reising, Russell J. “Figuring Himself Out: Spencer Brydon, ‘The Jolly Corner,’ and Cultural Change”

·         Kayes, Jamie Barlowe. “Reading Against the Grain: The Powers and Limits of Feminist Criticism of American Narratives”

·         Friedman, Susan Stanford. “The Return of the Repressed in Women’s Narratives”

·         Rimmon-Kenan, Schlomith. “How the Model Neglects the Medium: Linguistics, Language and the Crisis of Narratology”

·         Bialostosky, Don H. “Dialogics, Narratology and the Virtual Space of Discourse”

Volume 19, Number 2 (Spring 1989)

·         Wilson, Raymond J. III. “The Misreading of Solzhenitsyn’s Cancer Ward : Narrative and Interpretive Strategies in the Context of Censorship”

·         Macdonald, D. L. “Bathos and Repetition: The Uncanny in Radcliffe”

·         Tench, Darby. “Narrative Presence and Narrative Structure in Verga’s Early Novels”

·         Norton, Alexandra M. “The Seeds of Fiction: George Eliot’s Scenes of a Clerical Life”

·         Wallace, Tata Ghoshal. “Walter Scott and Feminine Discourse: The Case of St. Ronan’s Well”

Volume 19, Number 3 (Fall 1989)

·         Weisenburger, Steven C. “Errant Narrative and The Color Purple

·         King, James Roy. “Narrative Disjunction and Conjunction in Rumi’s Mathnawi

·         Skinner, John. “Ford Maddox Ford’s The Good Soldier: A Narratalogical cas limite”

·         Hiltner, Judith R. “From Pisgah to Egypt: Narrative Continuities in Melville’s Israel Potter and ‘The Two Temples’“

·         Greer, Creed. “Kurt Vonnegut and the Character of Words”

·         Stowe, William W. “Simenon, Maigret and Narrative”

Volume 20, Number 1 (Winter 1990)

·         Talib, I. S. “Conrad’s Nostromo and the Reader’s Understanding of Anachronic Narratives”

·         Diephouse, Daniel. “The Sense of Ends in Graham Greene and The Power and the Glory

·         Lockridge, Ernest. “‘Primitive Emotions’: A Tragedy of Revenge Called The Sun Also Rises

·         Daleski, H. M. “A Perfect Spy and a Great Tradition”

·         Neumann, Anne Waldron. “Escaping the ‘Time of History’: Present Time and the Occasion of Narration in J.M. Coetzee’s Waiting for the Barbarians

Volume 20, Number 2 (Spring 1990)

·         Heinzelman, Susan Sage. “Women’s Petty Treason: Feminism, Narrative and the Law”

·         Keen, Suzanne. “Narrative Annexes in Charlotte Bronte’s Shirley

·         Stivale, Charles J. “Duty, Desire and Dream: Maupassant’s ‘Le Petite Rogue’“

·         Rebolledo, Tey Diana. “Narrative Strategies of Resistance in Hispana Writing”

·         Green, Jennifer M. “Stories in an Exhibition: Narrative and Nineteenth-Century Photographic Documentary”

·         Shiner, Larry. “Flaubert’s Parrot, Agee’s Swan: From ‘Reality Effect’ to ‘Fiction Effect’“

·         Schwarz, Daniel R. “The Narrative of Paul de Man: Texts, Issues, Significance”

·         Caserio, Robert L. “‘A Pathos of Uncertain Agency’: Paul de Man and Narrative”

·         Marks, Elaine. “‘Getting Away with Murd(h)er’: Author’s Preface and Narrator’s Text. Reading Marguerite Yourcenar’s ‘Coup de Grace’ ‘after Auschwitz’“

·         Brenner, Gerry. “More Than a Reader’s Response: A Letter to ‘De Ole Ture Huck’

·         Phelan, James. “On the Nature and Status of Covert Texts: A Reply to Gerry Brenner’s ‘Letter to ‘De Ole True Huck’“

·         Cornis-Pope, Marcel. “Poststructuralist Narratology and Critical Writing: ‘A Figure in the Concept’ Textshop”

Volume 20, Number 3 (Fall 1990)

·         McDonald, W. E. “Who’s Afraid of Wolf’s Cassandra--or Cassandra’s Wolf?: Male Tradition and Women’s Knowledge in

·         Cassandra

·         Eldred, Janet M. “Plot and Subplot in Women in Love

·         Lundberg, Patricia Lorimer. “The Dialogic Search for Community in Charlotte Bront’’s Novels”

·         Carse, Wendy K. “Penchant for Narrative: ‘Mary Smith’ in Elizabeth Gaskell’s Cranford

·         Moffat, Wendy. A Passage to India and the Limits of Certainty”

·         Monk, Leland. “Murder She Wrote: The Mystery of Jane Austen’s Emma

·         Volume 21, Number 1 (Winter 1991)

·         Ommundsen, Wenche. “The World, the Text and the Tourist: Murray Bail’s Homesickness as Guide to the Real”

·         Taylor, Andrew. “Resisting the Mad Professor: Narrative and Metaphor in the Poetry of John Trantner”

·         Hatzimanolis, Efi. “Immigrant Writing Coming of Age? The Getting of Genre in Angelika Fremd’s Heartland

·         Gelder, Ken. “David Ireland’s Novels: Australia, Community and the ‘Illegality’ of Fiction”

·         Bliss, Carolyn. “Categorical Infringement: Australian Prose in the Eighties”

·         Arthur, Kateryna Olijnik. “Recasting History: Australian Bicentennial Writing”

·         Perret, Bill. “Only When I Laugh: Humor, Gender and the Rewriting of Colonialism in Black Australian Fiction”

·         Garlick, Barbara. “Of Rhinos and Caryatids: The Dialogic Imperative in Jessica Anderson”

·         Newman, Joan. “Autobiography: The Limitations of the Quest”

·         Thwaites, Tony. “Two Eleatic Tales: John A. Scott, Seymour Chatman, and Some Occlusions of Narrative”

·         Littler, Alison. “Marele Day’s ‘Cold Hard Bitch’: The Masculine Imperatives of the Private Eye Genre”

·         Maclean, Marie. “Do-It-Yourself, B.Y.O. and Australian Science Fiction”

·         Volume 21, Number 2 (Spring 1991)

·         Kinney, Clare. “On the Margins of Romance, at the Heart of the Matter: Revisionary Fabulation in Sidney’s New Arcadia

·         Rodrigues, Eusebio. “The Telling of Beloved”

·         Zonana, Joyce. “‘They Will Prove the Truth of My Tale’: Safie’s Letters as the Feminist Core of Mary Shelley’s Frankenstein

·         Wilner, Arlene Fish. “The Mythology of History, the Truth of Fiction: Henry Fielding and the Cases of Bosavern Penlez and Elizabeth Canning”

·         Pizer, Donald. “Dreiser and the Naturalistic Drama of Consciousness”

·         Wang, Jennie. “The Player’s Song of Finnegan’s Wake: Translating Sound Sense”

·         Volume 21, Number 3 (Fall 1991)

·         Shen, Dan. “The Distorting Medium: Discourse in the Realistic Novel”

·         Michaelson, Patricia Howell. The Wrongs of Women as a Feminist Amelia

·         Scheiber, Andrew J. “Sign, Seme, and the Psychological Character: Some Thoughts on Roland Barthe’s S/Z and the Realistic Novel”

·         Heise, Ursula K. “Time Frames: Temporailty and Narration in Coleman Dowell’s Island People

·         Volume 22, Number 1 (Winter 1992)

·         Kirby, John T. “Toward a Rhetoric of Poetics: Rhetor as Author and Narrator”

·         Lovitt, Carl R. “The Rhetoric of Muderers’ Confessional Narratives: The Model of Pierre Riviere’s Memoir”

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