Number 1 (Winter 2010)
· Olszewski, Brian. "Ludic Economies of Wuthering Heights"
· Colón, Susan E."Realism and Parable in Charlotte Yonge's The Heir of Redclyffe"
· Bolton, Micheal Sean. "Get Off the Point: Deconstructing Context in the Novels of William S. Burroughs"
· Anderson, Emily R. "Telling Stories: Unreliable Discourse, Fight Club, and the Cinematic Narrator"
· Martínez-Alfaro, María Jesús. "A Look into the Abyss: The Unsolvable Enigma of the Self and the Challenges of Metaphysical Detection in Martin Amis's Night Train"
Number 2 (Summer 2010)
· James, David. "Hearing Hardy: Soundscapes and the Profitable Reader"
· Severn, Stephen E. "Quasi-Professional Culture, Conservative Ideology, and the Narrative Structure of George Gissing's New Grub Street"
· Adair, William. "The Sun Also Rises: Mother Brett"
· Johnson, Erica L. "'Provincializing Europe': The Postcolonial Urban Uncanny in V. S. Naipaul's A Bend in the River"
· Travis, Molly Abel. "Beyond Empathy: Narrative Distancing and Ethics in Toni Morrison's Beloved and J. M. Coetzee's Disgrace"
Number 3 (Fall 2010)
· Gottlieb, Evan. "Blameless Empires and Long-Forgotten Melodies: Anne Grant's "The Highlanders," Walter Scott's The Lay of the Last Minstrel, and the Poetry of Sympathetic Britishness"
· Ready, Robert. "Textula"
· Mallin, Eric S. "Out of joint: Memento as Contemporary Hamlet"
· Winterhalter, Teresa. ""Plastic Fork in Hand": Reading as a Tool of Ethical Repair in Ian McEwan's Saturday"
·Ichitani, Tomoko. "Town of Evening Calm, Country of Cherry Blossoms:The Renarrativation of Hiroshima Memories"