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Feb. 20, 2007 issue
Bird makes final curtain call with EMU Theatre


By Jill Day-Foley

 

It has been a long, interesting journey for P. George Bird, whose 51-year career with Eastern Michigan University's Theatre Department came to a curtain close after his direction of "A Streetcar Named Desire" earlier this month.

Over the decades, Bird has seen changes even he could not have foretold.

Bird - full

SWAN SONG: P. George Bird, technical director for
EMU Theatre, poses in front of a set for "A Streetcar
Named Desire." The play was Bird's last directorial
effort, capping a 51-year-career at EMU.

"There were only two of us here when I first came to EMU," Bird said. "We only did three plays a year, in Roosevelt Hall, two of which were faculty-directed. So, from the student's perspective, they only had one 'big' production a year. Now everything is just bigger. It's just grown in many, many different ways."

There were only 3,200 students on campus when the 79-year-old Bird arrived at Michigan State Normal College. "You knew every professor, ever administrator, every student. Some of the changes are not necessarily better just because they are bigger. The sense of community was different from what it is today."

Having worn many different hats with the theatre department, including professor, set designer, electrician and carpenter, in addition to directing, Bird remembered the early days of EMU theatre fondly.

"Tickets were only 75 cents back then (1956). We really were more like a family then because we cared about each other and were pretty much all we had. Because all of the scenery for the sets was stored in the basement of Welch Hall, we had to get a University truck and load the things to haul over to Roosevelt to set up. Then we had to break down the sets — either that night or Sunday morning — and take them back as there was always some other activity or a rehearsal going on that we had to make way for.

 "We really don't have that kind of community now," he continued. "Students have changed. Back then, they were anxious to learn. Many of them were the first in their families to go to college and that brought a certain kind of responsibility and expectation with it. That's not necessarily true now."

The Oshkosh, Wisc., native had originally started on a different career path.

"I was an electrical engineering major," Bird explained, "until I flunked calculus. I thought, if I can't pass calculus, I'm not going to be a very good electrical engineer! I had done a lot of acting in high school, where, with only 83 students, I was a star. But I had no idea what I would be at the University of Wisconsin. I auditioned for a play my freshman year, got the part, and became a theatre major. I never looked back."

Bird cautions his students to be realistic about their pursuits in acting.

Bird directs

PROVIDING DIRECTION: (from left) P. George Bird
directs some of his actors during a recent rehearsal
for "A Streetcar Named Desire."

"Making a living in theatre is not necessarily based on talent," he said. "Many theatre majors don't do anything with this craft after they graduate. But, for many others, it is the opening to many other areas of their life, things such as public speaking, the ability to communicate effectively or to elicit a certain kind of response. These are all useful skills in other areas of life. You do what you do and you do it the best that you can."

As for the impressive legacy that he leaves at EMU, Bird says he really hasn't thought about it a lot.

"If I have to be remembered for something, let it be that I worked hard at what I did and I expected my students to do the same thing," he said.

Don't look for retirement to slow Bird down.

"I'm not good in a rocking chair," he said. "I'll miss the students and some of my colleagues. I work with many, many good people. I have an extensive rose garden and some orchids coming up that I'd like to get my hands on. I also like auctions and antiquing for 18th- and 19th-century furniture. I'm not totally discounting working in some community productions, or helping out my wife, who is the director of theatre at Concordia University. My wife will decide what I'll do."