Baermann, H. – Adagio
Brahms, J. - Sonatas, Op. 120, No. 1 and 2
Cavallini, E. - Adagio and Tarentella
Debussy, C. - Premiere Rhapsodie
Finzi, G. - Five Bagatelles
Hindemith, P. - Sonate
Jeanjean, P. - Arabesques
Messager - Solo de Concours
Milhaud, D. - Sonatine
Mozart, W. A. - Concerto
Osborne, W. - Rhapsody
Poulenc, F. - Sonate
Rabaud, H. - Solo de Concours
Schumann, R.- Fantasy Pieces
St. Saens, C. - Sonate
Stamitz, J. - Any concerto
Stamitz, K. - Any concerto
Stravinsky - Three Pieces
Vaughn Williams, R. - Six Studies in English Folk Song
Weber, C. M. - Concertino, Either concerto, or Introduction and Rondo
A short work will be selected for sight reading at the audition
Major Scales: All major scales, articulated and slurred.
3 octave minimum for E, F, F#, and G major.
2 octave minimum for all remaining keys.
Melodic Minor Scales: All melodic minor scales, articulated and slurred.
3 octave minimum for E, F, F#, and G.
2 octave minimum for all remaining keys.
Chromatic Scale: Ascending and Descending from chalumeau E through altissimo G.
For graduate auditions, if you have questions, please contact Professor Cole-Luevano.