Tone production is a highly personalized element of flute playing and it is the signature of each flutist. A special tone will catch the attention of any listener on the first note you play so it is important that you make a good first impression.

Everyone is built differently but there are several general ideas that must go into a good embouchure and good sound production. Many of these have to adjusted for the individual because of varying physiology (such as lip size) so keep this in mind. It is important to remember that a good tone is extremely important so you must continually work to achieve a clear, buoyant, expressive sound that contains much variety, tone color, and projection. The embouchure must allow for a beautiful sound, flexibility, and control. Remember, if you do not have a good tone, people will not listen to you no matter how many fast notes you play!

Embouchure and Sound Production

Say "pure" or "poo" and feel firmness in middle of upper lip (similar to blowing on hot soup or a hot drink).
Keep upper lip as long as possible, preferably keeping the lip below the bottom edge of the upper teeth.
Keep corners of lips slightly down in a slight frown (but free of too much tension), with a "pouting" bottom lip - avoid the smile embouchure!!!!
Place the back edge of the lip plate hole on the bottom edge of the bottom lip (where the lip meets the skin) to maximize full flexibility and projection; this varies with the size of lips. *For piccolo, the placement is slightly higher on the lip.
The lip should cover about 1/4 to 1/3 of the embouchure hole. This changes with the register of note (more covered for higher notes; less covered for lower notes).
Cheeks should be flexible with slight inflation in the upper cheeks. This varies with the register with more inflation in the upper register.
Think of having the width of marbles between your upper and lower teeth and the openness the size of an orange in your throat.
Tongue slightly forward for upper notes and slightly back for lower notes ( but keep the mouth and throat open.)
Blow into the flute as much as possible to maximize the full potential of the sound. Think of using the inside wet part of the bottom lip for a better sound.
The control of the sound comes from the center of the lips.
It is of vital importance that you start with good breath and support so that everything will have a full and round sound. Remember when you are playing softly that you must still have an extreme amount of support. Supporting fully is necessary for a good tone.

There is no substitute for a good private teacher to develop a good tone. If you are interested in finding a good private teacher, ask your band or orchestra director for advice. Good luck!

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