|
closing years
moving fr. Realism
to Symbolism
the echo of opera | Chapter One In the course of their sounds the October afternoon. The idea
any contact between them in the past. A view of Weatherend
itself. The authorship of the sketches? More imagination to her
than to all the others put together. There on a brief visit
her guessing more or less part of the establishment.
Rome or maybe Naples. Distinctly handsome, the impression,
operating like the torch of a lamplighter who touches
into flame. It hadn't been Rome at all. Her at twenty-five,
he at the Palace of Caesars. They as a linger acquainted.
This, a life determined. And the accepted ammendations.
Or "it would have been nice." The present so much
of the other. | at his death
a vast body of letters
easily adaptable stage 'n screen oeuvre, the
root of work |
